mondomedeusah creative

love is all we need

galerie mondomedeusah gallery : pink

Gotsoul Records : Black Coffee - South Africa's number 1 DJ makes his first Canadian appearance

Friday November 26, Therapy Montreal at U.N. (390 Notre Dame W., Old Montreal) feat. jojoflores and special guest Black Coffee.

Limited online tickets here // facebook this event



Saturday November 27, 2010 // Limited online tickets available here // facebook this event

Don't forget about the new party in Montreal, PEOPL. every Sunday at U.N. 16 h - 22 h. Check out the new mix Live at PEOPL. w/ special guest Osunlade 

www.gotsoulrecords.com

experimenting with film

Scope Miami 2010

 
Boogie, Boxi, Guy Denning, Gregor Gaida, Mark Jenkins, Aakash Nihalani, Slinkachu, Dan Witz

3055 North Miami Avenue Miami, Florida 33127 // November 30 - December 5, 2010

FirstView : Tuesday November 30 @ 15 h until 21 h (free for VIPs)
PressView : Tuesday November 30 @ 15 h - 21 h (free for all press)

Book Signing with Dan Witz : Thursday December 2, 2010 @ 15h30 until 16h30
Dan Witz will be at booth F04 signing limited edition hand painted copies of his new book In Plain View from Gingko Press. To request a VIP invitation or free day pass please email rsvp at carmichaelgallery dot com

General Admission Fair Hours :

Wednesday December 1, 2010 // 11 h - 18 h
Thursday - Saturday December 2 - 4, 2010 // 11 h - 19 h
Sunday December 5, 2010 // 11 h - 18 h

Transportation :

Shuttle buses run every fifteen minutes from Miami Beach to the SCOPE and ART ASIA pavilions, November 30 - December 5. Take the North Loop Shuttle in front of the Fillmore Miami Beach at The Jackie Gleason Theater on the NW corner of Washington Avenue and 17th Street, one block from the Miami Beach Convention Center.

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www.carmichaelgallery.com

VULGAR SEXINESS MYSTERY

 

Hansjoerg Dobliar // Erinnerung ans Muminland, 2010 // Acrylic, oil, varnish on nettle // 300 x 280 cm

now until January 2011 // Tanja Pol Galerie // Munich

"Hansjoerg Dobliar's paintings endeavour to find answers to essential questions concerning the common contiguity of reality and art. Where exactly does a naturalistic representation turn into one that has disengaged from its subject? How much manoeuvring room is there for an abstraction intent on autonomy, but reluctant to disown its origin? Dobliar's oeuvre turns out to be a precise balancing act that no longer differentiates between reality and fiction, the recognizable and the unrecognizable, putting both realms on an equal footing instead."

(Bernhart Schwenk: Natural, insane, abstract, in: Hansjoerg Dobliar, The delicate Deformation, Cologne 2009.)

 

 

Hansjoerg Dobliar // Clown II, 2010 // Acrylic, oil, varnish on canvas // 285 x 280 cm

 

Hansjoerg Dobliar, born 1970 in Ulm, lives and works in Munich and Berlin. Important institutional solo shows include Villa Merkel (with Astrid Nippoldt, 2010), Kunstverein Ulm and Oldenburger Kunstverein. He has participated in numerous group shows such as 2010 at the New Galerie, Paris, in Germany at the Kunstforum Regensburg (Kopp Collection) and 2009 at Pinakothek der Moderne Munich, at Kai 10 in Duesseldorf; and at the Beijing Biennial. An important upcoming group show is Captain Pamphile at Falckenberg Collection, Hamburg, Germany in February, 2011.

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www.tanjapol.com

art nude : Jenni "The Tunnel"

photographer : filippo sano, view gallery

Tanya Morgan announces new tour w. Big Pooh + Hall of Justus

Tour dates :

Wed, Dec. 1st - Philly, PA at Blockley Pourhouse "World AIDS Day Event"
tickets: http://bit.ly/SoMotivationalPhilly

Thurs, Dec. 2nd - Pittsburgh, PA at Shadow Lounge
tickets: http://bit.ly/SoMotivationalPitts

Fri, Dec. 3rd - Cleveland, OH at Grog Shop
tickets: http://bit.ly/SoMotivationalCleveland

Sat, Dec. 4th - Rochester, NY at Venu
tickets: http://bit.ly/SoMotivationalRochester

Wed, Dec. 8th - Brooklyn, NY at Public Assembly
tickets: http://bit.ly/SoMotivationalBK

download (iTunes) : Von Pea's Pea's Gotta Have It

download (iTunes) : Donwill's Don Cusack In High Fidelity

urban fashion : POP UP SALE (today only) : Married to the Mob and more ...

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“C’est mignon tout ça ! “ (Isn’t that cute!)

image : Pierrick SORIN // C'est mignon tout ça // 1993 // video mono-band (autofilming) // courtesy of AEROPLASTICS contemporary, Brussels

Pierrick SORIN : "C’est mignon tout ça ! " ( Isn’t that cute! ) // November 18, 2010 until December 31, 2010 // AEROPLASTICS contemporary // Brussels

Aeroplastics contemporary presents the first large-scale exhibition in Belgium of a major figure in video art, the Frenchman PIERRICK SORIN.

His first productions were little Super-8 films demonstrating a taste for abrasive humour and a good dose of self-mockery. For Réveils (1988), Pierrick Sorin filmed himself each morning for a month when only just waking up, realizes that he’s even more tired than the day before and, taking the viewer along as witness, vows to henceforth get to sleep earlier, to then wake up ever more tired again... From here, the artist develops the concept of autofilmage, filming himself in fictional settings where he incarnates various protagonists, like in the hilarious series Pierrick et Jean-Loup (1994): “Two brothers, Pierrick and Jean-Loup [both played by the artist], prey to a certain boredom, engage in activities at once stupid and creative.”... This concept of boredom, this life that one has to busy oneself with and the worries of the everyday, is a founding principle in Pierrick Sorin’s oeuvre. Une vie bien remplie (1994), exposes, on some twenty screens, “the artist’s anxiety when faced with the stupid and repetitive acts that overrun one’s existence.”

The exhibition’s title, “C’est mignon tout ça !“ (Isn’t that cute!), is that of a videowork whose scenario (“By grace of a basic video device, a man partially dressed in women’s clothes, gets aroused by the sight of his own backside...”) sums up the major characteristics of Pierrick Sorin’s oeuvre: simple technical means, self-filming... and a lot of humour.

But as for the artist’s trademark, it must be the little “théâtres optiques” (optical theaters) that he’s developed since the middle of the Nineties. Based on the principle of the hologram, these installations vidéos de chambre (the whole contained in a piece of furniture, just needing to be hooked up to a power supply...) portray the artist in the guise of a small ectoplasm, running on a turntable, floating in a (real) aquarium, or pedalling a bike that appears to produce current for a little lamp via a dynamo.

These set scenes can become quite complex, like in the series “Quelques inventions remarquables”, seven holographic devices conceived to be integrated within a public space to mark Lille 2004. From L’opérateur personnel de chirurgie faciale to Téléportateur d’objets vivants, and through to Visualiseur d’images mentales, Pierrick Sorin imagines a future governed by zany technology, for the better and especially for the worse. The artist incarnates the different protagonists and produces, through scenes peppered with DIY special-effects, a manner of homage to the cinema of Georges Méliès. This taste for illusions, at once simple and effective, is again seen with in situ installations like La cheminée aux livres, where works of contemporary art history are half-devoured by holographic flames.

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www.aeroplastics.net